Topic: Analysis of the first two stanzas of the poem Sang Thu
Lecture: Morning and autumn – Ms. Nguyen Ngoc Anh ( teacher)
Mục lục
Outline Analysis of the first two stanzas of the poem Sang Autumn – sample 1
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1, Opening the article:
– Introduction of the poem: is a beautiful, unique and novel work on the theme of autumn.
– Introduce the first 2 stanzas: The scenery changes seasons when the earth and sky change from summer to autumn.
2, Body of the article:
a, The first manifestations of autumn
– Invisible signals in nature:
+ Guava flavor: the typical rustic, idyllic scent of the Northern autumn when the guava season is ripe.
+ Verb “to”: to spread, to mix: to describe a space that seems to carry the scent of autumn and freshness
+ Se wind: the wind is a bit cold, dry, is the lucky wind of autumn, not the south wind of spring or the north wind of winter.
+ Dew: condensation of water vapor when the weather turns cold in the evening and early morning.
+ Verb “sluggish”: moving slowly, leisurely, personifying the image, dew like having a soul.
Author’s feelings:
+ Startled to realize that autumn is coming through the word “suddenly”
+ Rhetorical question “It seems autumn has come”: surprise, disbelief, poet’s soul as well as change with heaven and earth.
⇒ The author uses invisible images, which can only be felt through smell and feeling, not seen or grasped. This is a special point compared to using familiar images to talk about autumn such as milk flowers, persimmons, young nuggets, etc., showing the subtlety of the author’s emotions.
b, The beauty of nature in the time of season change
– The opposite image: the river is “easy” with the bird “in a hurry”. The river in autumn began to flow slowly, the summer storms had passed, causing the river to overflow. Birds hurriedly flew to the South to avoid the cold
– The image of summer clouds half-crossing to autumn: an image associated with the clinging, nostalgia of summer, depicting the special beauty of the sky. A cloud color that is no longer hot and sunny in summer but not gentle and elegant in autumn.
⇒ Nature changing seasons is strange and unique
3, Conclusion:
– The two stanzas show: the poet’s sensitive soul, the beauty of the changing seasons.
– Art: using images, personification, association.
Outline Analysis of the first two stanzas of the poem Sang Autumn – sample 2
1. Opening lesson
– Introduction of author Huu Thinh and the poem Sang Thu.
2. Body
a. First stanza
– Sudden: suddenly startled, without prior preparation, feeling stunned, surprised.
– Guava flavor: characteristic of autumn, signaling autumn has arrived.
– Pha: verb indicating strong action.
– Sluggish: adjective, creating a feeling of slowness, sluggishness.
– The autumn picture is depicted by the author Huu Thinh through images, ways of seeing, feeling and even enjoying: guava scent, wind, dew, etc. This is a combination of many different senses carried through four verses of the poem. Short but enough to make readers imagine the characteristics of autumn and the picture of autumn in a peaceful hometown as being displayed more clearly and beautifully.
b. Second stanza
– The river: no longer carries the rush and hustle flow, but now slows down to feel and enjoy the peaceful beauty of autumn.
– Flock of birds: In this beautiful autumn, the image of the flock of birds contrasts with the river. If the river slows down to feel the cool and gentle weather, the birds rush to find food and prepare their nests to wait for the harsh winter to come.
– Clouds: no longer bring the blue color of the hot summer, the clouds seem to become softer, more gentle and bend into a soft curve to gradually transition to autumn.
– The verb “squeeze” shows the naughty and witty nature of the cloud, and at the same time makes the cloud seem more soulful, and the transformed image becomes softer and more interesting. The cloud is only “half way into autumn” because it is still nostalgic for the busy summer.
→ Four verses depict the subtle changes of scenery from summer to autumn. Each scene has its own characteristics, but all have made the autumn picture more poetic.
3. Conclusion
– Summarize the content and art of the two stanzas as well as the poem’s poem, and at the same time express feelings about the value of the work.
Analysis of the first two stanzas of the poem Sang Autumn – sample 1
Perhaps in the four seasons of spring, summer, autumn and winter, autumn is always the most favored season when entering the realm of poetry. Revolving around the theme of autumn, there are so many good poems, conveying different thoughts and feelings. In the common source of literature, Huu Thinh also contributed a sentiment, a beautiful, idyllic picture of autumn in Northern Vietnam with the poem Sang Autumn.
Autumn is the beginning time, like a flower budding, the definition of autumn is still unknown, but summer still lingers. Therefore, to fully feel the signal, the beauty of autumn needs to have a very delicate and sensitive soul. And Huu Thinh’s poetic soul is such a sensitive poetic soul.
At the beginning of the poem is a very familiar scent – guava:
Suddenly I realized the scent of guava
Throw in the wind
If the previous autumn was felt by classical signals such as chrysanthemum, maple, and field corn, the newer one has Xuan Dieu, with the image of willow trees: “The willow tree stands in mourning/ Sad hair let down thousands of tears”, Huu Thinh found a very simple and dear scent of the countryside, which is the scent of guava. The strong scent of guava wafts into the wind, spreading throughout the space. And the author “suddenly realized” – the state of unpreparedness, surprise, astonishment. Because of that fragrance, because the autumn the author has been waiting for so long has come. It is the sound of excitement, excitement when suddenly realizing the moment of autumn. With very subtle feelings, Huu Thinh has brought readers a very different, very idyllic, rustic beauty of the autumn of the North.
After being surprised when suddenly realizing the signal of autumn, Huu Thinh continued to notice another signal that was the thin, light mists slowly drifting through the alley:
The fog drifts through the alley
The mist is thin and light, slowly passing through the alley, as if trying to hold back, trying to let the poet know that he is also a signal every time it is received. The image of autumn mist appears to make the whole alley space more cool, fanciful and peaceful. Simultaneously with the method of anthropomorphization, making the mist seem to have a mood, it is waiting and nostalgic for someone. With the sensitivity of the senses and the subtlety of the soul, Huu Thinh has fully sensed the received signals. This is an expression of love of life and love of life earnestly.
After the surprise and amazement at the moment of autumn, the poet expands all his senses to see the change of each thing, the phenomenon of each return:
The river is at ease
Birds start to rush
There are summer clouds
Squeeze your half to fall
The view has been opened with a more spacious and spacious space. And in that space, he realized so many changes of things and phenomena. When the autumn comes, the river is no longer noisy and fast-flowing, but instead is slow, sluggish, and deliberate. When autumn comes, the weather starts to get cold, the birds also start to rush to the south to avoid the cold. Two verses with two things with opposite animals: the river is flowing, the birds are in a hurry. It is a moment of difference in all things, in another time of transition between the two seasons.
But the most special in this stanza is the image of the cloud. In Vietnamese poetry talking about clouds, there are many, blue clouds in Nguyen Khuyen’s poetry: Clouds floating in the blue sky; is the layer of clouds extruding silver mountain in Huy Can’s poem: “The layer of high clouds extruding silver mountain”. As for Huu Thinh’s cloud, there is innocence and mischief, when half is still in summer, the other half has stepped into autumn. The author has been very subtle when using the word “squeeze” to refer to the time of the change of seasons, the cloud squeezes over the delicate boundary between the two seasons, only to be left with a bold autumn color in the end. The verse shows Huu Thinh’s interesting exploration, discovery and association when the weather changes.
With a rhythmic five-word poetic form combined with unique anthropomorphic images, Huu Thinh has brought poetry a beautiful, rustic and simple autumn. That autumn is delicate and talented vibes, felt through the lens of an artist who loves life, loves nature, and loves life.
Analysis of the first two stanzas of the poem Sang Autumn – sample 2
With a short poem of only two stanzas, the poet has recreated a picture full of the warmth of life, the warmth of home. The images are familiar, simple but fresh and lively.
If spring is the convergence of talented artists’ hands, autumn entering poetry is also natural and close. In the past, Nguyen Khuyen was famous for three autumn poems: “Thu Cui”, “Autumn Bay, Autumn Humidity”, later Xuan Dieu had “Here is the coming autumn.” Small, humble, Huu Thinh also contributed to In the autumn of the country, a corner of the homeland turns to autumn:
“Suddenly recognized the scent of guava
Throw in the wind
The fog drifts through the alley
Thu seemed to have about.
The river is at ease
Birds start to rush
There are summer clouds
Squeeze half of yourself into autumn.”
The poem has a warm taste of early autumn in a small countryside. The first signal for the author to recognize is the taste of guava mixed in the wind. The rustic scent of home is carried by the wind in the space, spreading and fluttering. The feeling suddenly came to the poet: “suddenly realized.” A surprise that seemed to have been waiting, waiting for a long time, so that now there is a chance to let go. taste of guava: crispy sweet, sour on the tip of the tongue, the aftertaste of that fragrance lingers in us when suddenly reading a poem by Huu Thinh, there is the scent of guava, and the wind, and the dew. soft, wet autumn drapes across the alley. Autumn returns. Autumn brings home and cold wet fog. It seems that there is more dew, so autumn is easier to recognize. “Slowly” or what to wait for? Gradually like that, so gently, so soft, when it comes to collecting, it seems that autumn has arrived. Ever since? Return? From the scent of guava or from the wind, or from the dew? Huu Thinh was also a bit surprised by the sudden glimpse of autumn. Collected, collected back to the homeland, on the roads of the dike and on the rivers, the birds of the sky.
The initial bewilderment vanished to give way to the intense pre-autumn vibe:
“River is at ease
Birds start to rush
There are summer machines
Squeeze half of yourself into autumn.”
The hometown river raises water to carry autumn. The birds flew quickly. What a wonderful autumn! Some places are “sluggish”, “easy”, while places are “hurried”, bustling… But all with a new feeling, fluttering when autumn comes. There is no longer the harshness of the hot summer, only a humid and chilly atmosphere. A moment of confusion to then yield to autumn. The early autumn is very light, very gentle, very smooth, vague as the whole world is shivering to change new clothes. Huu Thinh did not describe the autumn sky as “blue with a few high floors” like Nguyen Khuyen, but only pointed to the picture of autumn with a little cloud left over from last summer:
“There are summer clouds
Squeeze half of yourself into autumn”
The sky clouds half of themselves to autumn. The poet’s expression is unique. It seems that in that cloud, there are still some warm summer sunshine left, so I “squeeze half” to collect, making the scenery change and the clouds are also different.
With a short poem of only two stanzas, the poet has recreated a picture full of the warmth of life, the warmth of home. The images are familiar, simple but fresh and lively. With sparkling words: “sluggish”, “hurried”, “easy”, and a poetic voice that has a hint of surprise and joy. Huu Thinh has brought us back to a rustic but warm country.
“Tomorrow” – an image of the homeland itself has enhanced the beauty of the country, the homeland, and the countryside in the general autumn of the whole land of Vietnam.
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