Analysis of the best Quan Am Thi Kinh
Topic: Analysis of the excerpt The injustice of her husband in the play Quan Am Thi Kinh.
Quan Am Thi Kinh is a famous ancient cheo play of the cheo stage. The content of the cheo book is divided into three parts. Part 1 is Sentencing against: Thien Si, son of Sung Ong, Sung Ba, from a wealthy family, married Thi Kinh, daughter of Mang Ong, a poor farmer. One day, the wife sat sewing, the husband read a book and fell asleep. Seeing that her husband had an ingrown strawberry, Thi Kinh took a sewing knife to cut it. Thien Si was startled, panicked, and quickly shouted, Sung Ba angrily blamed her daughter-in-law for killing her husband, scolded her severely and chased Thi Kinh back to her parents’ house. Part 2 is the judgment of wild pregnancy: Being unjustly unjust but unable to justify it, Thi Kinh had to pretend to be a boy and enter the temple of Van Tu, taking the legal name Kinh Tam. Thi Mau, the rich man’s daughter, who had a flirtatious nature, fell in love with Uncle Kinh Tam. Can’t flirt with Kinh Tam, Thi Color slept with No, who was a servant, and got pregnant. The village is caught. Secretly, Thi Mau blamed Kinh Tam, Kinh Tam suffered injustice, was kicked out of the three gates by the monk (the temple gate), Thi Color took her child away for Kinh Tam. Part 3 is Oan love won, Thi Kinh went to the lotus throne: After three years, Kinh Tam went to beg for milk every day to raise Thi Mau’s children. Then she “turned” (died), was on the lotus throne, became Buddha Ba Guan Yin. Before “transforming”, Kinh Tam wrote a letter to leave the child. Only then did everyone know that Kinh Tam was a girl and understood her compassion and patience.
The injustice of her husband and the unjust verdict of being pregnant are the two main events of the cheo play. Thereby, the folk author reflects the tragedy in the status of a poor woman in feudal times. Although the two events belong to two different lives of Thi Kinh, they are closely related. Every situation is difficult and painful, but each situation has its own look. They combine, complement each other to complete the tragedy of a woman’s life. Besides that content, cheo plays also have the intention of promoting the noble qualities of women and condemning evil and evil in the ancient feudal society.
Excerpt from the injustice of her husband is the core of the beginning of the cheo play. This part features five characters who participate in the process of creating dramatic conflicts and serve as the background for the character Thi Kinh to show her noble qualities. The good Si and Chong Ong are weak-willed, have no ideas, only play supporting roles to highlight Sung Ba’s slanderous and cruel personality. The basic conflict of Cheo play is expressed through the conflict of Sung Ba and Thi Kinh (mother-in-law, daughter-in-law). Worshiping grandmother belongs to the type of evil woman, representing the feudal landlord class with bad habits such as wit, conceited about noble lineage, breasts covering her mouth, always taking herself as the standard to watch. Reviewing and evaluating others according to her confused perception, Thi Kinh belongs to the type of heroine in Cheo, representing the working poor woman. Thi Kinh is a docile and gentle daughter-in-law, but she is accused of killing her husband by the evil Sung Ba Canh. The husband’s family has caused Thi Kinh many injustices. She was falsely accused, her happiness was broken, she was kicked out of her husband’s house and the most painful thing was to see her beloved father being humiliated.
The conflict between Sung Ba and Thi Kinh in form is a direct conflict between the mother-in-law and the daughter-in-law, but in essence it is a profound conflict between the ruler and the ruled. That was the first button in the cheo play that revealed the status and low status of the poor woman in family relations and feudal marriage.
The opening scene is a scene of warm living, (wife sewing, sewing, embroidering, husband reading a book), although it is not as common and close as the scene of husband plowing, wife transplanting, buffalo harrowing in folk songs, but it also shows aspiration. on family happiness of working people.
In that scene stands out the image of a wife loving her husband. Thi Kinh’s gestures in front of Thien Si were very considerate and gentle. When her husband was tired of studying every night, she fell asleep, she cleaned up the sofa and fanned her husband. Seeing an ingrown beard under her husband’s chin, she worried about a bad omen. Thi Kinh wants to beautify her husband and herself: Beautiful in front of her husband’s face, then beautiful in my face… , Da loves her husband, my heart is an The knife is sharp, the card is cut to a certain extent. Her mood is that of a wife who loves her husband dearly.
Thi Kinh’s well-meaning work had not yet been completed, when Thien Si suddenly woke up, panicked, grabbed the knife and shouted: Father! O mother! O neighbor! O village! Late at night, how could I suddenly see an abnormality… making the whole family wake up. No need to ask the end of the story, Sung Ba immediately closed Thi Kinh on the crime of murdering her husband: This brave face! Are you going to kill her son?
Sung Ba’s attitude was very rude and cruel. When Thi Kinh cried and begged for clarification, Sung Ba pushed Thi Kinh’s head down and then forced her to look up to hear her curse, not to explain or explain anything.
Worshiping her to Thi Kinh is full of sarcastic, scolding and insulting words. It seems that once she spoke, Thi Kinh was charged with one more crime. She blamed Thi Kinh for all her crimes without knowing the facts. She insulted and kicked Thi Kinh out of the house not only because she thought that Thi Kinh killed her husband, but Thi Kinh was also a spoiled woman with an evil mind; the son of a lowly house, unworthy of her house:
Like her house, she looks like a phoenix like a peacock – And the flying tuong is a rooster and a rooster – Her family is high-class in the command line – You are the son of a snail – A dragon egg hatches into a dragon’s egg – Luu Diu again hatches a slug. – The trash goes back to Cau Nom, the daughter opens her mouth to live with her father… All those words and gestures have revealed the nature of an inhuman, unjust rich woman.
Her words are filled with discrimination. Her vocabulary used to compare stories of high and low, high and low, rich and poor… hers is so rich that it is scary. The conflict between mother and Thi Kinh has gone beyond the conflict between mother-in-law and daughter-in-law. She returned it to the correct place of class conflict. The songs are about to, say differently… suitable for expressing her harsh repressive attitude and her haughty, conceited tone about her lineage, rich breed, and disdain for the poor. The character Sung Ba appeared in only one acting class, but fully revealed the character of the evil woman in the role of ancient cheo. She pretended to be thunderous to show “house magic”. She gave herself the right to create “laws” and “rules” in Thi Kinh’s family, although she had enough virtues as prescribed by feudal rites, she was still not accepted by her family because she did not come from the same origin. family’s children”. Indeed, the irreconcilable class conflict had a tremendous impact on this marriage.
When her mother-in-law accused her of killing her husband, Thi Kinh had words and gestures that were very patient and pitiful. Five times she complained, four times her cry was directed at her husband and mother-in-law. For the first time, she complained to her mother-in-law: God! Mom, I’m so sorry for you, mom! The second time, still with her mother-in-law: I’m sorry for you, mom! For the third time, complain to her husband: I’m so sorry, man! For the fourth time, once again, I complained and begged my mother-in-law: I judge the love for you, I am very unfair, mother!
Thi Kinh complained to her husband but in vain because Thien Si was a cowardly and weak man. He left his wife wholeheartedly loving, caring and attached to him for his cruel mother to abuse. At this time, Thien Su is just a redundant character on the stage. Thi Kinh’s pleas were like fire adding fuel, fueling Sung Ba’s harsh words and insults. The more Thi Kinh complained, the thicker the injustice. In the midst of her husband’s family, that virtuous woman was completely alone. It was only the last time that Thi Kinh complained to her biological father, Mang Ong, that she received sympathy, but it was the sympathy of suffering and helplessness. Mang said in tears:
My son! Even if it’s unfair, it’s not unfair. Far away, I know how much you feel!
The end of the wrongful connection is that the marriage between Thi Kinh and Thien Si is broken. She was kicked out of her husband’s house.
Before expelling Thi Kinh, Sung Ba and Sung Ong also ruthlessly staged a cruel play: tricking Mang Grandpa to eat his grandchild, in fact, forcing him to receive his daughter. They have the pleasure of doing evil, and want their father and son to be humiliated. Moreover, as quickly as he turned his hand, Sung Ong changed his family relationship with brute force actions. This scene is built with vivid details, images and words:
Mr. Mang: Grandpa! You tell me the beginning and end of the story, sir!
Devoted to him: Know this!
(Worshiping for his grandfather, he pushed him down and left him. Thi Kinh rushed to help her father. Father and son hugged each other and cried.)
The incident that Sung Ba called Mang Ong to return Thi Kinh showed her inhumane character and revealed Thi Kinh’s greatest unhappiness. Thi Kinh seemed to be pushed to the climax of the tragedy. She struggled in the terrible injustice, the pain of the broken couple’s love plus the humiliation and pain of the image of the beloved old father being despised and tortured by his parents-in-law.
At the end of the performance class, on the stage, only two children of Thi Kinh were left alone in the midst of cold, ruthless indifference. The scene of father and son hugging and crying is the image of poor people suffering injustice but completely helpless. Canh Sung she attributed and blamed Thi Kinh took place quickly and quickly. As for the scene of Thi Kinh father and son hugging each other and crying, it lasted on the stage. Such an arrangement means denouncing evil and deeply sympathizing with good being surrounded by evil waves.
Thi Kinh’s attitude before leaving her husband’s house is described: Thi Kinh followed her father a few more steps, then stopped and lamented, turning to look from the sofa to the book, the sewing basket, and then holding the unfinished shirt. , squeeze in hand.
The sofa, the sewing basket, the unfinished shirt are proofs of the faithful and gentle affection of the wife who loves her husband, but now it is considered as evidence of the lack of discipline. That sudden reversal made Thi Kinh’s sentimental heart painful and shocked. Her feelings are expressed in sad and tragic tone:
Dear oh! For a long time now, iron has been kept clean. Suddenly someone makes a lonely pillow.
One side is the happy memories of the couple’s love, the other side is the flash moment of breakup and separation. The line clearly evokes the image of a wronged girl who is extremely miserable and helpless before an uncertain life. Thi Kinh was suddenly pushed into a predicament: Know where to go? Where do you go now? How can a woman’s life in a feudal society avoid the scene of Floating in the middle of the stream?!
In the pain of the separation of husband and wife, the humiliation of being trampled on dignity, the humiliation of not being able to protect an elderly father who was insulted by her husband’s family, Thi Kinh still kept her true, gentle, and lawful nature. moral rules of the bride and daughter. The more pitiful the reader, the more Thi Kinh hates the inhumanity of Sung Ba’s family.
At the end of the excerpt from her husband’s injustice, Thi Kinh bows to her father and then expresses her wish that she will pretend to be a boy to enter the Buddha’s door to practice. Thi Kinh’s path to liberation has two positive and negative sides. The positive side is that the Eyepiece is determined to live in life in order to be clearly a virtuous person. The negative side is that she thinks that she is not healthy due to her predetermined fate, because of bad fate, so she finds the Buddha’s door to escape from life. Thi Kinh’s attitude lacks the healthy, optimistic, brave nature of poor wives in folk songs. She did not dare to stand up against the injustices, not enough spirit to overcome the harsh situation, on the contrary, she endured with pitiful patience. Thi Kinh’s reaction only stopped at the reproach of fate and the wish that her upright heart would be illuminated by the sun and moon.
The play Quan Am Thi Kinh in general and the excerpt The unjust husband’s injustice in particular are very typical cheo plays and excerpts of the traditional cheo stage, showing the tragic and deadlocked lives of many fates. at the same time praising the good and noble qualities of poor women in the ancient feudal society.
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